Despite its clichéd, contrived, and occasionally even downright silly screenplay, this tale of a 14-year-old New Brightonian lad, who has recently become a father, reuniting with his own long absent father, is decidedly watchable and even quite moving, mainly thanks to Ian Hart’s excellent performance and some fine work from director Percival and photographer Katznelson. Iain.Stott
Friday, 3 September 2010
Thursday, 2 September 2010
Roxy (2010)
Posted on 07:26 by khali
There are echoes of J.D. Salinger’s A Perfect Day for Bananafish (1948) in Shirley Petchprapa’s intensely sensual and ethereally beautiful self-financed short film, which wallows in the poetry of the every day, finding the beauty in acts as simple as a man watching television, running a bath, and even just cleaning his teeth, whilst his dog, Roxy – the film’s real star – lolls around with effortless elegance. Iain.Stott
The Black Sheep of Whitehall (1942)
Posted on 04:38 by khali
Not Recommended
UK
Feature Film
Directors: Basil Dearden, Will Hay
Writers: John Dighton, Angus MacPhail
Cinematographers: Eric Cross, Günther Krampf
Cast: Will Hay, John Mills, Basil Sydney, Henry Hewitt, Felix Aylmer, Owen Reynolds, Frank Cellier
Click for review.
Mammoth (2009)
Posted on 03:26 by khali
Recommended
Sweden/Denmark/Germany
Feature Film
Original Title: Mammut
Writer/Director: Lukas Moodysson
Cinematographer: Marcel Zyskind
Composers: Linus Gierta, Erik Holmquist, Jesper Kurlandsky
Cast: Gael García Bernal, Michelle Williams, Marife Necesito, Sophie Nyweide, Tom McCarthy, Run Srinikornchot, Jan David G. Nicdao, Martin Delos Santos, Maria Esmeralda del Carmen, Perry Dizon
A games designer travels to Thailand to sign a lucrative contract, and reluctantly becomes involved with a beautiful young prostitute, whilst his sensitive, surgeon wife struggles to come to terms with the circumstances that led to the hospitalisation of one of her patients, and their nanny, who looks after their lively, inquisitive daughter, strives to earn enough money to give her young sons, who still live with their father in the Philippines, a good start in life, in Moodysson’s affectingly acted, multi-stranded critique of globalisation and commodification. Iain.Stott
Wednesday, 1 September 2010
Vinyan (2008)
Posted on 04:59 by khali
Six months after losing their son in the 2004 tsunami in Thailand, a couple of aid-workers set off into a Burmese jungle, accompanied by a pair of Triads, in the vain hope of finding him, believing that they may have seen him in an aid video, in Du Welz’s formally adventurous (but not flashy), bravely acted, and decidedly disquieting examination of fear, guilt, and grief – imagine a hybrid of Don't Look Now (1973) and Apocalypse Now (1979). Iain.Stott
Back-Room Boy (1942)
Posted on 04:35 by khali
Like Ask a Policeman (1939), another Gainsborough rip-off of Arthur Ridley's 1923 play The Ghost Train, this Arthur Askey comedy is quite delightful for its first 40 minutes or so, whilst it concentrates on the comedic dexterity of its diminutive Liverpudlian star and his verbal bouts with the film-stealing 12-year-old Vera Frances, but when the plot finally kicks in, and Marriott, Moffatt, and Withers finally make an appearance (all giving performances far from their best), it all descends into slightly tiresome farce – never the less, it’s still well worth watching, though. Iain.Stott
Tuesday, 31 August 2010
Return to Oz (1985)
Posted on 10:25 by khali
Based on Baum’s novels The Land of Oz (1904) and Ozma of Oz (1907), which follow on from The Wonderful Wizard of Oz (1900), which was loosely adapted as The Wizard of Oz (1939), this well-crafted, creepy, and downbeat film follows Dorothy’s unhappy return to Oz, which in her absense has been taken over by Princess Mombi and The Nome King, with all of her old friends now turned to stone. Iain.Stott
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