Godard’s (thankfully) more sombre and reverent than usual film presents, in three parts, a provocative and surprisingly moving portrait of man’s inhumanity to man: Hell shows, in the form of archive clips, scenes of war and carnage; Purgatory follows several parties around a literary conference in Sarajevo, where people discuss war, occupation, martyrdom, and the like; and Heaven presents a vision of an afterlife guarded by US military forces. Iain.Stott
Friday, 29 January 2010
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