A life-sized inflatable sex doll develops a soul, acquires a job at a video rental store, and begins to interact with a number of lonely Tokyoans, all the while remaining subservient to her middle-aged owner, in Koreeda’s for-the-most-part beautiful and moving existential exploration of urban alienation, which is let down somewhat (though far from irredeemably) by its vaguely sentimental and trite last few moments. Iain.Stott
Tuesday, 15 June 2010
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