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In Tsukamoto’s intriguing and vaguely unpleasant if never entirely effective short, a man awakens in a dark and dirty cramped space with a significant stomach wound and no memory of how he came to be there; as he explores his inhospitable environment, he becomes ever more convinced of his own demise, until he meets a similarly afflicted woman, who gives him the strength to carry on. Iain.Stott
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