In Tati’s hugely inventive, gently satirical, and frequently hilarious look at the alienating effects of progress, Monsieur Hulot struggles to adapt to a rapidly modernising world, particularly when visiting his decidedly snobby sister and family, who live in a cold and frightfully ugly house in which any and everything is automated and charcterless. Iain.Stott
Friday 2 July 2010
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