Solondz’s diverting but relatively disappointing film reacquaints us with the Jordans and Maplewoods from Happiness (1999) and the Wieners from Welcome to the Dollhouse (1995), as he weaves together another ensemble comedy-drama of the deeply discontented, this time set in a Jewish, Floridian wasteland of entropy and paranoia. Iain.Stott
Wednesday 25 August 2010
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